8 Open Fuji Film LUTs: From Superia 200 to Neopan 1600
FujiCam now includes eight additional looks from the RawTherapee Film Simulation Collection. These approximate named film stocks and sit alongside the original camera-inspired looks. They are community-made color mappings, not official Fujifilm presets.
What is included
The additions are Fuji 160C, Fuji 400H, Fuji 800Z, Fuji Superia 200, Fuji Superia Reala 100, Fuji Velvia 50, Fuji FP-100C and Fuji Neopan 1600. Each has its own LUT and thumbnail. Original remains available for an ungraded comparison.
A useful way to compare them
Try 160C, 400H, 800Z, Superia 200 and Reala 100 together as color-negative interpretations. Compare Velvia 50 for a slide-film interpretation, FP-100C for an instant-film palette, and Neopan 1600 for monochrome. Use the same photo and intensity for the first comparison; then adjust to taste. These are starting points, not rules about which look a subject must use.
Velvia and Velvia 50 are different entries
The original Velvia entry is a camera-simulation-inspired look. The added Fuji Velvia 50 comes from the open film-stock collection. Similarly, Reala Ace and Superia Reala 100 are separate mappings. Keeping the full names helps distinguish the two sources.
What a LUT can and cannot reproduce
These LUTs transform RGB values. They do not generate spatial grain, halation, paper texture or the complete physical response of film. The source collection describes these assets as sRGB Hald CLUTs; FujiCam resamples them into 33³ lookup tables for its WebGL pipeline. They should not be treated as camera-log conversion LUTs.
Sources, attribution and reuse
The source collection credits Pat David, Pavlov Dmitry and Michael Ezra and specifies CC BY-SA 4.0. FujiCam includes the source PNGs, pinned upstream URLs, checksums and modification notice. If redistributing these LUTs or adapted versions, retain appropriate credit, link to the license, indicate changes and follow ShareAlike. This license statement covers the eight additions, not every asset in the project.